Johnny Randall, a young race-car driver, falls in love with Tony Bradley, who hates racing because her brother was killed in a midget car-race (the car size, not the driver-size.) To compound that, his mother also objects because his father was killed while racing in the Indianapolis 500. But he continues racing, even though he narrowly escapes death when a rival-and-jealous racer schemes to get rid of him.
American-International did not invent the juvenile delinquents-jalopies-reckless driving-hot rodders-build it at home-chicken playing genre of movies. PRC and Monogram started churning them out in the mid-forties as part of their let-this-be-a-lesson-to-you genre, preceded by the zoot-suiter and jitter-buggers films, which was better than the social guidance films teen-agers were being overdosed on at school.
Jeff Carter has put an end to the town's delinquency with a boys' club. Young hoodlum Danny shows up and influences teenagers Doris, Willy and Leo. They hang out at a juke joint where Eve works. When Jeff tries to stop a robbery planned by Danny, he is killed and Danny goes on trial.
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
Anna Neagle, Sylvia Syms. Poor Anna just can't seem to 'straighten out' her delinquent daughter. Her path eventually leads to crime, rebellion, death, and redemption. Her sleazy boryfriend leads her down a path of moral ineptitude. Good performance by Syms. Upgraded 9-94.
Police Lieutenant Lacey, with aid from Coach Bettger, heads a crack-down on dope-peddling to high-school athletes. One kid dies from an overdose, two more kill a gas station attendant in an aborted hold-up attempt to get money to buy dope, and a third dies in a fall in a condemned empty building while fleeing from the law. With the aid of some outraged students, the dope pusher is brought to justice. Sheila Urban plays a character named Julie Bishop.
Cassandra falls in with the wrong crowd in high school. Her home life is not great, and she turns to a group of delinquent bikers to help escape. Before long she's doing drugs and failing her classes until she has no chance of getting in to college. She marries her clueless high school sweetheart Johnny, but soon grows desperate for more drugs and falls into her old habits.
Paul, a divorced architect, marries Nichole, a woman from Paris. His teen daughter Jenny has fallen in with the English beatnik scene and likes to hang out in cave-like clubs to listen to jazz and rudimentary rock'n'roll. Jenny takes an immediate dislike to her step mother, who is not that much older than she, and goes out of her way to make life miserable for Nichole. When Jenny discovers that Nichole is a friend of one of the strippers from the dance hall across the street, she investigates and uses Nichole's sordid past to embarrass her father. Meanwhile Jenny attracts the lecherous eye of Kenny, the owner of the dance hall.